Saturday, November 10, 2012

A Tale of Two Avocados


A short excerpt taken from the diary of Tristam Summers – intrepid colonial explorer
11th day of November in the year 2012.

It is not without significant pause for thought that I put into writing an event which took place during my lengthy stay on the West coast of the Americas one year hence. My only hope is that in doing so they might serve as a cautionary tale for any future brave pioneers following in my footsteps.

... Having not long moved into my lodgings (a humble beginning but very leafy – very leafy indeed); I was walking from my vehicle to the front door of my abode, laden with shopping bags, when I noticed an avocado on the floor. It was just sat, ex-nihilus, (which is to say out of nowhere (from the Latin ex-from and nihilus-nothing)) in the middle of the path, its shiny green skin reflecting the late afternoon sun like the basking lizards so prevalent in these climes. It was certainly not mine – I have never bought an avocado in my life – and it seemed to be presented so perfectly as if to suggest that I was supposed to find it: As if this very avocado was left for me and for me alone.

I struggled to see how someone had managed to drop what one would unquestionably call a ‘luxury item’ from their purchases (without noticing!!) and not come back for it. Perhaps ... they had completely forgot about it - life must go on after all. Or maybe they did in fact retrace their steps and, seeing it lying there, sullied with dirt and nursing as one would imagine, a significant bruise; wrote it off as inedible. We can only speculate as to how the aforementioned fruit* came to be there and the void it indubitably left in someone’s carefully planned ‘chips and dips’ based evening. Well, devoted readers, I’m ashamed to say that I disregarded this other-worldly message and banished the peculiar circumstance to the darker recesses of my subconscious.

Seasons changed. I devoted myself to my studies. In short, I did what any man could do – I carried on with my life, but there remained a relentless nagging at the back of my mind. Now I am not a God-fearing man but I cannot deny that there are powers that exist far beyond our comprehension, altering in some circumstances, the very paths of our collective fate, as was the case almost exactly a year on from that portentous day - the details of which I shall relay to you now.
I was once again returning from the shops, bags in hand, when what should I encounter on my final steps but an avocado! Brazenly sat there in the middle of the pristine path, mocking me! Well I could scarcely credit its very existence nor could not be certain that it was not the very same avocado come back to haunt me. Everything suggested that it was.

Steeling myself against the implications of this discovery, I shook my head and continued on. “That’s so odd. The EXACT same thing happened last year” I remarked to myself, as I once again failed to heed the signs cast before me. It was not until I had closed the door behind when it dawned upon me! I rushed back out to the path and cast my eyes heavenward, and lo and behold! I saw a sky full of messages, just waiting for their moment on the path; their chance to bask in the mid-afternoon sun. An avocado TREE!! I laughed until I was giddy. I realised in that moment that this foreboding means of communication was merely the road to organic guacamole not a presentiment of evil spirits yet to come. I wondered then as I wonder now, looking up at all those ripening buds, how much time I might have wasted, ignorant to the delights that (literally) lay before me and resolved to let no such gifts be squandered in future.

If this tale of trepidation and intrigue has taught me anything it is that:
"Ours is not to question erroneous avocados, ours is but to eat them."

 

*(yes curiously it is so classified)

 

Monday, November 5, 2012

'A Late Quartet' - Best film of AFM2012 (Walken, Seymour-Hoffman, Keener, Ivanir, Poots)

I want to tell you about a film I saw at this year's American Film Market that in my opinion blew all the others out the water:
"A Late Quartet" is a film about family: A story about a string quartet and its internal dynamics which doesn't exactly scream must-see at first look. Performances from the likes of Philip Seymour-Hoffman, Christopher Walken, Catherine Keener and Imogen Poots will hopefully be enough to get people through the door. Equal parts touching and funny, it holds music up for one and all to appreciate and treats it with such respect that we never, for one beat, question how it can be so utterly all-consuming for these characters.
This is, in part achieved through a masterpiece of a script that takes its time, weaving the various themes together like a complex melody; expertly sowing seeds for later plot turns without labouring them. It's Sorkin-esque without the preaching. Perhaps it's delivery succeeds because it deals with issues that never grow old - love, jealousy, sickness, insecurity, parenting, obsession, infidelity and playing the second fiddle (literally and figuratively).
Yaron Zilberman (who penned, produced and directed) gives a lesson in subtlety which builds throughout, forcing us to care not just for the characters and their imploding quartet but even the music itself. Where on earth Yaron Zilberman (46) has been all these years is a mystery (with only one previous documentary credit to his name) but we can only hope this affords him the chance to do more. The score too, fits seamlessly with the live music, evoking emotions for the characters that far exceed even the pitch-perfect performances from the Hollywood stars. Live action is expertly seasoned with documentary inserts - a Brechtian device that allows us to laugh at old pictures of the actors while establishing the international credentials of these virtuoso musicians.
I've been trying to put my finger on the single aspect of this production that made me identify with it to such an extent. And my conclusion is that it's undoubtedly the story...oh and the script...and of course the cast, and their performances - not to mention the editing and score...and direction.

Perhaps, it's better to say that this represents one of those rare occasion in cinema when everything comes together in thrilling and wonderful harmony. Or as Seymour-Hoffman's character says of 'The Fugue' quartet, it is 'so much more than the sum of its parts'. Go and see it.

Updated 11/11/12: just found the trailer as it is now in theatres:
http://m.youtube.com/#/watch?v=NX66lRnNmqs&desktop_uri=%2Fwatch%3Fv%3DNX66lRnNmqs